Black Joe Lewis

Resident Presents

Black Joe Lewis

Lightnin' Malcolm, Vug Arakas

Sat · September 30, 2017

9:00 pm

$20.00

This event is 21 and over

Black Joe Lewis
Black Joe Lewis
On their new album Backlash (out February 10), Black Joe Lewis & the Honeybears reclaim their original moniker and return to their much-celebrated take on classic soul and punked-up R&B. As Lewis explains, the band’s fourth full-length confronts the ugly reality of “dealing with the backlash from the things you’ve done in the past,” delivering a host of songs rooted in regret but steeped in a defiant spirit. Bombastic but nuanced, Backlash ultimately unfolds as an album both joyfully chaotic and intensely cathartic.

Recorded at Big Orange studios in the band’s hometown of Austin, TX, Backlash finds Black Joe Lewis joining
forces with Grammy Award-winning producer Stuart Sikes (The White Stripes, Cat Power, Modest Mouse) and revisiting his most deep-seated influences. “I wanted to go for more of a soul/blues/rock-and-roll sound compared to the last one—the kind of stuff I was doing back in the day, but with the songwriting a little more evolved,” Lewis says. The band’s most stylistically adventurous work so far, Backlash expands their sound by bringing gritty guitar tones and Stax-styled horn sections to intricate, danceable arrangements inspired by the likes of Nile Rodgers. Kaleidoscopic in mood and unrestrained in emotion, Backlash channels its restless energy into tracks like the infinitely catchy and groove-drenched “Sexual Tension,” the fed-up and fired-up “PTP,” and the fantastically unhinged “Freakin’ Out.” On “Lips of a Loser,” meanwhile, Black Joe Lewis lays down a beautifully devastating breakup ballad powered by sprawling guitar lines and cinematic swells of strings. “‘Lips of a Loser’ is my Isaac Hayes impersonation,” notes Lewis of his smoldering vocal performance on the album’s stunning centerpiece. Elsewhere on Backlash, Black Joe Lewis addresses unrest on a broader scale: “Global” infuses howling vocals and heavy guitar riffs into a rowdy meditation on environmental destruction, while the chant-driven “Nature’s Natural” emerges as the album’s most striking and mournful moment. “That one’s about black-on black crime, and also about police killing black dudes all the time,” says Lewis of the latter, pointing out that the song was written in the aftermath of Ferguson.

A Texas native, Lewis discovered his love for the blues soon after learning to play guitar his late teens. “I grew
up on hip-hop and whatever my dad was listening to Springsteen and Curtis Mayfield and Donny Hathaway—but once I picked up the guitar I started getting into the deep cuts,” Lewis recalls. Naming Lightnin’ Hopkins and Iggy Pop among his main inspirations, he formed Black Joe Lewis & the Honeybears in 2007 and released his major label debut Tell ‘Em What Your Name Is! (Lost Highway/Universal) the following year. Known for their can’t-miss, full-throttle live show, Black Joe Lewis & the Honeybears are now gearing up for a 2017 North American headline tour, the band’s first comprehensive run since 2013.
Lightnin' Malcolm
Lightnin' Malcolm
Cutting Edge Bluesman LIGHTNIN MALCOLM, a charismatic and energetic guitarslinger with a deep soulful voice, has taken his irresistable Dance grooves from Juke Joint teen years as a One Man Band to World stages with mainstream artists such as Robert Plant, Jimmy Buffett, Buddy Guy, Robert Cray, The Black Keys, Widespread Panic, Big Head Todd, North Mississippi Allstars, Lucero, and Gary Clark Jr.

The Mississippi based Multi-instrumentalist combines the Tribal Rhythms and raw electrifying power of the Hill Country Blues with melodic songwriting wisdom of heroes Bob Marley, Sam Cooke, Hank Williams, Bob Dylan, and Jimi Hendrix. MALCOLM fuses elements of Funk, Soul, Rock, Reggae, Hip Hop, West African World Beat, Gospel and Country to create an Authentic Signature sound in modern day World Roots Music.

MALCOLM won Blues Music Awards Best Debut Artist in 2009 and has since toured the Globe, releasing critically acclaimed albums "RENEGADE" and "ROUGH OUT THERE." He is a rhythmic Force of Nature, with a wild droning guitar style consisting of bass, rhythm, and lead syncopated together into churning tribal grooves that take listeners by storm. "Everywhere we go, people say we sound like a 5 or 6 piece band," he says. MALCOLM has made a major impact on the recent Mississippi Blues scene, bridging younger generational sounds with a telepathic feel to play with traditional Legends like Hubert Sumlin, R.L. Burnside, Honey Boy Edwards, James Cotton, T Model Ford, Robert Belfour, Big Jack Johnson, and Charlie Musselwhite etc...

MALCOLM generally performs as a Power Duo, with his Larger than Life Guitar riffs teamed up with razor sharp drums (Cedric Burnside, Cam Kimbrough, Stud, etc), or as the One Man Band (playing guitar, harmonica, and kick drums simultaneously) that made him a hit in Juke Joints across the South. "They used to send for me at juke joints as a One Man Band, and everybody would be dancin to Al Green, Johnnie Taylor,and Tyrone Davis. Then they would shut the jukebox off and stick me out in the middle of the floor... I'd be nervous because the jukebox sounded so good.... But this was how I was surviving and failure was not an option. You had to win them over on the first song or you wasnt gonna get another try... But once you did you was about to have the greatest night of your life!" he explains "My music was developed on Americas Funkiest Dancefloors!" This rigid training ground taught MALCOLM to be an alert and intense performer, with the stamina to channel and electrify the audiences emotions.

MALCOLM's new album "FOOT SOLDIER" drops 4.15.16 on Mississippi Indie Label SHAKEDOWN RECORDS. "FOOT SOLDIER" updates MALCOLM's relentless, hypnotic, foot stomping grooves and signature melodic songwriting in 11 new songs. Recorded live in the studio, it features MALCOLM in his original "1 MAN BAND" format, playing guitar and foot drums simultaneously in a raw, rock steady full sound that keeps the Juke Joint rocking All Night. Four performances were captured on high definition videos.
Vug Arakas
Vug Arakas
Vug Arakas is a resident of Los Angeles; a songwriter who left Columbus, Ohio in 2012 to see what the other side of the country had to offer.
While Los Angeles is full of sunshine and endless "goodtimes", it's also full of broken dreams, harsh realities, psychic vampires, and vapid mysticism. Not to mention those endless "goodtimes" often come with a hell of a price. After settling in to LA Vug quickly experienced all of the above and did what any songwriter worth his salt would do: he wrote about it.
They tend to throw around the term "old fashioned" these days for anybody who "just" plays rock 'n roll and while this band does play rock 'n roll there is nothing "old fashioned" about this. It's absolutely timeless without being regressive or retro or falling into cliché. It's simply good.
Venue Information:
Resident
428 S Hewitt Street
Los Angeles, CA, 90013
http://www.residentdtla.com/